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Posted on Friday, February 08, 2002 - 06:19 pm:   

anyone here mess with the echo pro by line six?

thoughts anyone?

Posted on Monday, September 30, 2002 - 11:25 am:   

nematod wrote on this thread:

about the Line 6 echo Pro , a friend had it . and he said it was very bad at emulating tape echoes, which is what it is supposed to do. so he sold it and bought a stage echo instead !

Posted on Thursday, October 03, 2002 - 11:00 am:   

meussai wrote on this thread:

instead of spending a lot of money for a space echo that have only one type of echo and as i read above have sometimes problems (joys of vintage) i chose to get the line 6 delay modeler stompbox and it is simply fantastic the modeled sound of the space echo ( but also: memoryman, maestro ep one, boss delays, reverse delay etc) sounds a lot like the original with no drop out and a 2,5sec delay dub lethal weapons, i use it on my voice and my melodica in live reggae dub and it's freak out, you got to try it sometimes.

munky lee
Posted on Tuesday, November 12, 2002 - 05:21 pm:   

I don't have the line 6 echo pro, but the line 6 DL4. it is the "stomp box" version of the echo pro.
I am absolutely happy with this stuff. 3 memories to preset echoes. loads of differents emulations, from the old tube echo to the digital delay, via the good old tape delays...
and I think the echo pro is better than the DL4

I love my DL4!!! and have no problem with changing the tape!!!!!!!!!!!!

Posted on Monday, December 09, 2002 - 10:00 am:   

Got one of the green Line 6 DL4 too. An it a good delay. Its the same machine as the pro, exept the midi and more memory.. but that one is twice as expensive.


Posted on Wednesday, December 11, 2002 - 04:50 am:   

the pro is going for $300 on musician's friend- that's only 50 more than the dl4 i think. peace.

Posted on Saturday, January 08, 2005 - 08:11 pm:   

i have the Echo Pro and find that i don't really like the emulation of the tape echoes nearly as much as the lo-res delay for doing dub echo manipulations. doing a sweep on repeats between 7 and 12-14 bits creates a unique and very cool timbral shift in in the delayed signal. going below 7 bits gets a little gritty and/or crunchy on some signals but has its uses too. makes me want to drag my spx 90 out of the closet for its silly little sampler feature...

Posted on Saturday, July 08, 2006 - 05:44 am:   

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Posted on Tuesday, July 18, 2006 - 01:46 am:   

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